Directed by Michael Scott, the cast included Lorna Luft, Millicent Martin, Mary Millar, Dave Willetts, Trevor Jones Bryan Smyth, Alex Sharpe, Christine Scarry, Aidan Conway and Enda Markey. "When Follies opened in London it had an entirely different, and significantly more optimistic, tone. And, in the haze of nostalgia, the past [89], The Broadway production won the Drama League Award, Distinguished Production of a Musical Revival for 2011-2012[90] and the Drama Desk Award for Outstanding Revival of a Musical, Outstanding Actor in a Musical (Burstein) and Outstanding Costume Design (Barnes). Ben denies this, but still wants Phyllis out of his life. Sign up today to unlock amazing theatre resources and opportunities. Mr. Weismann's exquisite taste in feminine pulchritude. The musical was nominated for 11 Tony Awards and won seven. It was Prince who changed the title to Follies; he was "intrigued by the psychology of a reunion of old chorus dancers and loved the play on the word 'follies'".[2]. With Andrew Lincoln, Sophie Okonedo, Esther Coles, Darren Tighe. He thinks she's very neurotic, and she is very neurotic, so he said to me 'Congratulations. It's quite an interesting beautiful show with some rip-roaring numbers. And then the rest of the cast is fantastic, Jan Maxwell and Ron Raines and Danny Burstein. She then tells Ben that their marriage can't continue the way it has been. Other cast replacements included Millicent Martin as Phyllis. enchanted citadel where the two couples can re-visit their individual seems to be seeping into the present. Ms. PETERS: Wow. She made her Broadway debut in 1967 in "How Now, Dow Jones" and went on to play roles in "Promises, Promises" and "Applause." Variety gave a very favorable review to the "lavish and entirely satisfying production", saying that Schaeffer directs "in methodical fashion, building progressively to a crescendo exactly as Sondheim does with so many of his stirring melodies. "[113], Walter Kerr wrote in The New York Times about the original production: "Follies is intermissionless and exhausting, an extravaganza that becomes so tedious because its extravaganzas have nothing to do with its pebble of a plot. between Buddy and his pal, Ben. [73] Tom Bosley originally was cast as Dimitri Weismann. '"[10] Martin Gottfried wrote: "The concept behind Follies is theatre nostalgia, representing the rose-colored glasses through which we face the fact of age the show is conceived in ghostliness. A lthough it has legions of admirers, Follies has often seemed a problematic show. [43], Critics who had seen the production in New York (such as Frank Rich) found it substantially more "upbeat" and lacking in the atmosphere it had originally possessed. Research Playwrights, Librettists, Composers and Lyricists, See more songs from
glad they came. That, long as you ignore me, you're the only thing that matters, feeling. Two new additions to the cast, Jayne Houdyshell and Mary Beth Peil, are terrific. The Paper Mill Playhouse production used some elements from London but stayed close to the original. 66. declares I'm Still Here. Ben, goaded, starts to argue with Phyllis, Former MGM and onetime Broadway star Betty Garrett, best known to younger audiences for her television work, played Hattie. "[45] In The New York Times, the critic Francis X. Clines wrote: "The initial critics' reviews ranged from unqualified raves to some doubts whether the reworked book of James Goldman is up to the inventiveness of Sondheim's songs. The evening follows a reunion of the Weismann Girls who performed during the interwar period. [127] Tony Award-winning playwright and Academy Award-nominated screenwriter John Logan has expressed interest in writing the adaptation. [32] Rich later wrote that audiences at the original production were baffled and restless. She had nodes that she had to have removed. Buddy and Phyllis join their spouses and the foursome reminisces about the old days of their courtship and the theater, their memories vividly coming to life in the apparitions of their young counterparts ("Waiting For The Girls Upstairs"). I want you so. Research Playwrights, Librettists, Composers and Lyricists. According to an article in The Hollywood Reporter, "almost every performance of the show played to a full house, more often than not to standing-room-only. YOUNG STELLA - The singer and dancer as she was in 1940. They've come a long way from those Ms. PETERS: Oh, you know, what's great about it is that there's no comparison. Solange proves she is still fashionable at what she claims is 66 ("Ah, Paris! Bernadette Peters, who's stopped more shows on Broadway than the stagehands union, joins us in our studios. So, you grow up listening to your mother. The cast starred Julia McKenzie (Sally), Donna McKechnie (Phyllis), Denis Quilley (Ben) and Ron Moody (Buddy). Sondheim's songs aren't parodies or deconstructions; they are evocations that recognize the power of a love song. to read expert guidance for Broadway Baby and unlock other amazing theatre resources! Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman . That paradox is crystallized in " One More Kiss ," warbled by an ancient Viennese soprano while . There were only four showgirls in this version, and each one carried a shepherd's crook with a letter of the alphabet on it."[22]. is by now wondering Could I Leave You and live without Ben, [33], For commercial reasons, the cast album was cut from two LPs to one early in production. Ben confides to Sally that his life is empty. he's spent Too Many Mornings dreaming of her. SIMON: Does this story reach you now in a way it might not have during the 1970s? He praised a "broodingly luminous Jan Maxwell" and Burstein's "hapless onetime stage-door Johnny", as well as "the show's final 20 minutes, when we ascend with the main characters into an ironic vaudeville dreamscape of assorted neuroses - the most intoxicating articulation of the musical's 'Loveland' sequence that I've ever seen." that You're Gonna Love Tomorrow, and for young Sally and Rounding out the ensemble is Lawrence Alexander, Brandon Bieber, John Carroll, Sara Edwards, Leslie Flesner, Jenifer Foote, Leah Horowitz, Suzanne Hylenski, Danielle Jordan, Joseph Kolinski, Amanda. SIMON: And you were talking like this or something? [62][63] It followed a similar presentation at the 1995 Melbourne Festival of Arts with a different cast and orchestra. For the 1985 concert, no one was going. for a first and last reunion: an invitation "to glamorize ", and "Losing My Mind". The MOT production starred Nancy Dussault (Sally), John-Charles Kelly (Buddy), Juliet Prowse (Phyllis) and Ron Raines (Ben), Edie Adams (Carlotta), Thelma Lee (Hattie), and Dennis Grimaldi (Vincent). The four characters are "whisked into a dream show in which each acts out his or her own principal 'folly'". When they sing, in voices layered with ambivalence and anger and longing, it is clear that it is their past selves whom they are serenading. waltzes. They pass through the spectral showgirls without seeing them. "Loveland" has dissolved back into the reality of the crumbling and half-demolished theater; dawn is approaching. Not only has it already outsold every other album at our website, but the steady stream of emails from customers has been amazing. The cast featured Diana Rigg (Phyllis), Daniel Massey (Ben), Julia McKenzie (Sally), David Healy (Buddy), Lynda Baron, Leonard Sachs, Maria Charles, Pearl Carr & Teddy Johnson. CAPITOL S0761 - Original Cast (Who's That Woman), shadowy wraiths of their younger selves Gene Nelson (Buddy). Rosemary Clooney says her present show at Rainbow & Stars will be her last. She's hale and hearty, singing and swinging better than ever. "Could I Leave You?" - Phyllis. Ms. PETERS: (as Sally Durant Plummer) (Singing) The sun comes up, I think about you. Broadway impresario Dimitri Weismann arranges a reunion of the actors, singers, dancers, and personalities who peopled his famous Follies in the years between the World Wars, as a farewell tribute to the doomed building. Amidst a deafening discord, Ben screams at all the figures from his past and collapses as he cries out for Phyllis. Ms. PETERS: As a little girl, yeah. kiss me, " Sally tells him, I think I'm going to die.". Sign up today to unlock amazing theatre resources and opportunities. Ben replies by saying that he wants a divorce, and Phyllis assumes the request is due to his love for Sally. It was directed by Prince and starred Dorothy Collins (Sally; replaced by Janet Blair), Alexis Smith (Phyllis), John McMartin (Ben; replaced by Edward Winter), Gene Nelson (Buddy), and Yvonne De Carlo (Carlotta) reprising their original roles. The musical has had a number of major revivals, and several of its songs have become standards, including "Broadway Baby", "I'm Still Here", "Too Many Mornings", "Could I Leave You? A Survey of Follies Recordings, Part One Original Cast and '80s Concert In preparation for the cast album of the new Broadway production of Follies, here's part one of an overview of the four . It could be. "[35] "One More Kiss" was omitted from the final release but was restored for CD release. [43] During the run, Eartha Kitt replaced Gray, sparking somewhat of a comeback (she went on to perform her own one-woman show at The Shaftesbury Theatre to sell-out houses for three weeks from March 18, 1989, after Follies closed). his mind, all the past evening's traumatic experiences are regurgitated In the London production the characters come to understand each other." Buddy leaves the shadows furious, and fantasizes about the girl he should have married, Margie, who loves him and makes him feel like "a somebody", but bitterly concludes he does not love her back ("The Right Girl"). and Loveland calls, luring them back to a playground of The once resplendent theater is now little but planks and scaffolding ("Prologue"/"Overture"). I tried to give it the sardonic knowingness of Lorenz Hart or Frank Loesser. The producer was Cameron Mackintosh, the direction was by Mike Ockrent, with choreography by Bob Avian and design by Maria Bjrnson. ; and Hattie proclaims again that she's, ", "2017 Results | Critics' Circle Theatre Awards", "Standard Theatre Awards 2017 the Shortlist", "These are the winners of the 2017 Evening Standard Theatre Awards", Grammy Award for Best Musical Theater Album, How to Succeed in Business Without Really Trying, Sweeney Todd: The Demon Barber of Fleet Street, Cats: Complete Original Broadway Cast Recording, Les Misrables: The Complete Symphonic Recording, Smokey Joe's Cafe: The Songs of Leiber and Stoller, Laurence Olivier Award for Best New Musical, A Funny Thing Happened on the Way to the Forum, Best Worst Thing That Ever Could Have Happened, https://en.wikipedia.org/w/index.php?title=Follies&oldid=1151569839, Articles with dead external links from August 2021, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from May 2022, Articles with MusicBrainz release group identifiers, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, The orchestra, Nicholas Skilbeck and Nigel Lilley, 1971 - New York Drama Critics' Award for Best Musical, "Waiting for the Girls Upstairs" Ben, Sally, Phyllis and Buddy, Young Ben, Young Sally, Young Phyllis and Young Buddy, "Montage" ("Rain on the Roof"/"Ah, Paris!
As Stella leads the 1940 SIMON: When did you first realize that you could sing? I am happy to report that since then, Ms Peters has connected with her inner frump, Mr. Raines has found the brittle skeleton within his solid flesh, and Ms. Maxwell and Mr. Burstein have only improved. Road You Didn't Take). The cast starred Donna Murphy (Phyllis), Victoria Clark (Sally), Victor Garber (Ben) and Michael McGrath (Buddy). Suddenly, at the peak of madness and confusion, the couples are engulfed by their follies, which transform the rundown theater into a fantastical "Loveland", an extravaganza even more grand and opulent than the gaudiest Weismann confection: "the place where lovers are always young and beautiful, and everyone lives only for love". The plot takes place in a crumbling Broadway theater, now scheduled for demolition, previously home to a musical revue (based on the Ziegfeld Follies ). "[114] On the other hand, Martin Gottfried wrote: "Follies is truly awesome and, if it is not consistently good, it is always great. The Company of our celebrated, long-running series, #SondheimUnplugged, is thrilled to be Back in Business for season thirteen of our award-winning program at #54below. Sally tells Ben how her days have been spent with Buddy, trying to convince him (and herself) ("In Buddy's Eyes"). Follies was performed in concert at the Sydney Opera House with the Sydney Symphony Orchestra[59] in February 1998 as the highlight of the Sydney Gay and Lesbian Mardi Gras and had three performances. and matronly starlets, veterans of a more innocent age of entertainment, Group Sales Associate at Broadway at The National, Camp Director at Traveling Players Ensemble. : With David Nixon, Richard Coleman, Jimmy Young, Diana Coupland. Elsewhere, Willy Wheeler (portly, in his sixties) cartwheels for a photographer. Read is the book writer, writing a new ending to Shakespeare's Romeo and Juliet, alongside a score comprising the pop music of Grammy . A few years after the fling that led to his unknown fatherhood, the man has settled into a new life, but the establishing of his paternity makes him determined to . Darkness Around the Spotlight", " 'Good Times and Bum Times': Broadway Revival of 'Follies' Exceeds Expectations, But Doesn't Recoup", "Victoria Clark Will Be Sally in L.A. Follies with Elaine Paige, Jan Maxwell, Danny Burstein, Ron Raines", "Review: 'Follies' is a source of heartache and razzmatazz", "Follies in Concert review stars align in Melbourne for rare and exhilarating night of Sondheim", "Follies in Concert review [Melbourne 2016]", "Imelda Staunton to Star in London Follies", "National Theatre Announces Additional Casting for Angels in America and Follies", "Full Casting Announced for Follies at National Theatre", "National Theatre Live to Broadcast Follies this November", "Follies cast recording released on Spotify and iTunes", "Follies in Concert - Melbourne Recital Centre", "Show Business: The Once and Future Follies", "Stage: Concert Version of 'Follies' Is a Reunion", "That Old Feeling III: The Ghosts of Broadway", "Review:'Follies':Oh, Those Sharp Stones in a Dance Down Memory Lane", "Grammy Nominees for Musical Album Include 'Nice Work', 'Once', 'Follies', 'Newsies' and 'Porgy and Bess'; Shaiman & Wittman, Too", "Follies to return to National Theatre and release cast recording", "Is a Follies Film With Meryl Streep in the Works? "[46], This production was also recorded on two CDs and was the first full recording. and a brief glimpse of those dreams. Stephen Sondheim, Hattie Walker is a retired star of the Weismann Follies, an iconic. Join the StageAgent community
follies. YOUNG HEIDI - The celebrated soprano in her heyday. WAITERS, WAITRESSES, PHOTOGRAPHERS, SHOWGIRLS, etc. Similarly, ghosts of the Twenties shows slip through the evening as the characters try desperately to regain their youth through re-creations of their performances and inane theatre sentiments of their past. Ms. PETERS: And then I got the call when I was I was performing at the Fairmont Hotel in San Francisco, James Lapine called me to say he wrote this new show with Stephen Sondheim and it's to play an artist model. Goldman's revised book offered some small improvements over the original. "[17], "Loveland", the final musical sequence, (that "consumed the last half-hour of the original" production[18]) is akin to an imaginary 1941 Ziegfeld Follies sequence, with Sally, Phyllis, Ben and Buddy performing "like comics and torch singers from a Broadway of yore. The show closed on July 1, 1972, after 522 performances and 12 previews. The clarion-voiced Philip Quast has three Olivier Awards to his name and is bound to be considered for a fourth in due course for his soul-stirring performance as Ben Stone in the National Theatre . The good news is that it also features some of the most exciting musical moments Broadway has seen in several seasons. Ben yells at his younger self for not appreciating all the work that Phyllis did. At its very start, ghosts of Follies showgirls stalk the stage, mythic giants in winged, feathered, black and white opulence. During one night of romance and regret, two crumbling thirty-year-long marriages are put to the test. Ms. PETERS: I don't know. "[119], Brantley, reviewing the 2007 Encores! SALLY DURANT PLUMMER - Buddy's well-to-do wife, still gushy and girlish overwhelming optimism, where skies are ever blue. Pounding Forty-Second Street To be in a show. YOUNG HEIDI - The celebrated soprano in her heyday. Ms. PETERS: When I did "Sunday in the Park with George." He asked author and playwright James Goldman to join him as bookwriter for a new musical. Buddy tells her she must be either crazy or drunk, but he's already supported Sally through rehab clinics and mental hospitals and cannot take any more. It starred Alexis Smith (Phyllis), John McMartin (Ben), Dorothy Collins (Sally), Gene Nelson (Buddy), along with several veterans of the Broadway and vaudeville stage. the old days, stumble through a song or two and lie about ourselves" -before He predicted that the show eventually would achieve recognition as a Broadway classic. [55], Julianne Boyd directed a fully staged version of Follies in 2005 by the Barrington Stage Company (Massachusetts) in JuneJuly 2005. Kelli Rabke sings "Broadway Baby" from Follies at 54 Below 54 Below 25K subscribers Subscribe 0 Share No views 1 minute ago #SondheimUnplugged #54below We're Still Here! YOUNG SALLY - A Follies chorine, 20 years old in 1940, and caught The Sydney Symphony was conducted by Maestro Tommy Tycho. of the derelict theatre Loveland rises - the apotheosis of a Weismann no children but everything else. Di Botcher sits at her former dressing room table and sings Broadway Baby. Julia McKenzie and David Healy. Ms. PETERS: Well, it depends how what their makeup is. I thought I wasn't a Sondheim girl. The evening follows a reunion of the Weismann Girls who performed during the interwar period. [118], The Time reviewer wrote of the 2001 Broadway revival: "Even in its more modest incarnation, Follies has, no question, the best score on Broadway." Phyllis Rogers Stone, a stylish and elegant woman,[4] arrives with her husband Ben, a renowned philanthropist and politician. However, it is clear that Sally is still in love with Ben even though their affair ended badly when Ben decided to marry Phyllis. inspired the operetta kings to produce their lushest "[87] This recording includes "extended segments of the show's dialogue". Having exorcised the ghosts of their pasts the two couples depart As the guests reminisce, the stories of Ben, Phyllis, Buddy, and Sally unfold. times, she's grateful just to have got through it, and confidently Sally is bitter, having never been happy with Buddy, although he has always adored her. This text may not be in its final form and may be updated or revised in the future. James Goldman
that he no longer loves her, that for him "all of it was over Leading Lady / Broadway Baby / Another Openin' Another Show: Jill Perryman: 1975: Medley: Broadway Baby: Bernadette Peters: 1981: Broadway Baby: Dorothy Loudon: 1986: Broadway Baby: Daisy Eagan: February 23, 1993:
"[30] Prince planned to present the musical on the West Coast and then on a national tour. He feigns a lack of interest; there is an underlying tension in their relationship. Kirkeby, Marc (released April 1971). I like to do that. New York, NY, SM for Poor Yella Rednecks
She accuses him of having affairs while he is on the road, and he admits he has a steady girlfriend, Margie, in another town, but always returns home. They find that hard to do. Hard-hitting drama about a man who discovers that he has fathered a child only when he is approached by a child support agency. Smith (Phyllis), John McMartin (Ben), Dorothy Collins (Sally) and really changed in their lives. HATTIE WALKER - After all these years, still a Broadway Baby. Gain full access to show guides, character breakdowns, auditions, monologues and more! In the foreword to "Everything Was Possible", Frank Rich wrote: "From the start, critics have been divided about Follies, passionately pro or con but rarely on the fence Is it really a great musical, or merely the greatest of all cult musicals?" Buddy and Ben, the theatre seems haunted by their younger selves, Sally appears next, dressed as a torch singer, singing of her passion for Ben from the past - and her obsession with him now ("Losing My Mind"). [5] Sally, Phyllis, Ben, and Buddy show their "real and emotional lives" in "a sort of group nervous breakdown".[6]. Produced at the Winter Garden, New York, 4 April 1971 with Alexis Before she has a chance to really let loose, they are both called on to participate in another performance Stella Deems gets Sally, Phyllis, Emily, Hattie, and some others to perform an old number ("Who's That Woman? Phyllis interrupts this tender moment and has a biting encounter with Sally. It is 1971, and the iconic Weismann Theater, now a crumbling shell of its former glory, is about to be demolished to provide precious New York City parking space. [27] The 2017 National Theatre production is performed without an interval as well as largely returning to the 1971 book, James Goldmans widow no longer alive to insist on the revised script. "MOT Box Office Opens Sept. 11 For Fall Season". They all shout hysterically at each other, screaming out all Produced at the Shaftesbury Theatre, London, Tickets always were tough to come by. Ms. PETERS: You know, when I was a little girl, they said I had a funny voice because I actually had a deep voice and that's because my mother didn't speak correctly. It originally was performed in one act. The Who. in one terrifying mass. SIMON: All the featured roles you've played on Broadway, including several obviously noteworthy Sondheim roles, I mean: "Annie Oakley," Mama Rose in "Gypsy," Witch in "Into the Woods," where does Sally Durant Plummer fit in? (Soundbite of song, "A Little Night Music"). Stephen Sondheim attended one of the performances. A recording of the National Theatre production was released on January 18, 2019.[104]. Seeing Sally again, Ben realises Roscoe, the old master of ceremonies, introduces the former showgirls ("Beautiful Girls"). Broadway Baby, Learning how to sing and dance, Waiting for that one big chance To be in a show.Oh.Gee.' I'd like to be On some marquee, All twinkling lights, As more guests arrive, Sally's husband, Buddy, enters. "[21], According to Sondheim, producer Cameron Mackintosh asked for changes for the 1987 London production. Whose Baby? At its best momentsand there are manyit is the most imaginative and original new musical that Broadway has seen in years.
and sleek. [57], A concert was held at Theatre Royal, Drury Lane, London, on December 8, 1996, and broadcast on BBC Radio 2 on February 15, 1997. "Sondheim's 'Follies' closes despite packed performances; Run of the show ends with the expiration of special Equity deal". but cold Jessie could only combine then I could tell you someone [41], A staged concert at Avery Fisher Hall, Lincoln Center, was performed on September 6 and 7, 1985. Ben admits to Phyllis his admiration for her, and Phyllis shushes him and helps Ben regain his dignity before they leave. The production was directed by Dominic Cooke, choreographed by Bill Deamer and starred Peter Forbes as Buddy, Imelda Staunton as Sally, Janie Dee as Phyllis, Philip Quast as Ben[100][101] and Tracie Bennett as Carlotta. [42], The musical played in the West End at the Shaftesbury Theatre on July 21, 1987, and closed on February 4, 1989, after 644 performances. Follies girls through "the mirror number" New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. the theatre is demolished to make way for a parking lot. the surviving players of his lavish pre-war Follies, from the silver The net result was four new songs For reasons which I've forgotten, I rewrote "Loveland" for the London production.
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