VLFV family also gets 10% off any order you make with this companies, just add a promo code VLFV (SimmodLens) or VINTAGE (FollowFocusGears.com) on checkout. Its a gradual process, guys. Landmine Media, LLC. We've been taking a look at what it offers and what it's like to shoot with. D) They are very easy to adapt to EOS mount. That would be asking a lot of these budget lenses. I have used the Nikon 85 1.4, Sony Carl Zeiss 85 and 135, Mino 85, Sigma 85, Canon 85 1.2 for reference. I will leave you with a few beautiful videos that will definitely help you make up your mind! The price was pretty good and Im the type of person that can buy something just because the price is good. And. After that, B&H and ADORAMA are great choices. Ive had great success on ebay, but only from premium buyers. You can tell them apart because MM have their last aperture number painted green, and they have a small tab on the mount that doesnt exist on AEs. Contax Zeiss Survival Guide In reply to Giovanni_1968 Nov 30, 2021 While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. I paid around $250.00 for my 35-70/3.4 and around $800.00 for my 21/2.8 both in mint condition! I went for the fastest lenses and snuffed out the AEGs I had, in favor of the prettier bokeh of the MMJs. I know I stopped mentioning how sharp these lenses are, but the 60mm is worth highlighting. Its been there for quite a while and I have checked up on it countless times to help me make decisions. This stumps everyone. This gave me a great set of lenses ready for action, all I missed was a way of getting them to said action. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. I already talked about the mount replacements and focus gears, so Im left with standard fronts and de-clicking. These terms refer to all lenses 45mm and up (to 500mm). The more opinions you have, the less you see. Contax RTS glass can easily be adapted to EOS. 77mm front. But dont expect them to have the even performance of a set of Ultraprimes or Masterprimes (where many of the primes are not only similar in size and weight, but also perform similarly at matching T stops!). There are DOZENS of lenses to choose from, that cover all focal lengths from 15mm to 500mm. X. X. So all you do is get a Cine Ring with the rear thread of your lens and thats gonna make it standard! Slowly I fell in love with them. Finally found the old MTF charts for each of the Zeiss Contax lenses. C) They have the older Zeiss T* coating that we also find on Hasselblads, Super Speeds and Standardsand as such have a more organic rendering on digital than ZF/ZE/CP2s. To fit the barrel of the lens, use a caliper and be precise about it. Standard lens, cant really make a set without a 35mm in it, right? It also has built-in color filters which I freaked out when I realized how to turn them. Another trick is to heat them up with a blow dryer or even your house heater. Mirrorless Camera of the Year 2022 & Other Camera Candidates, Adobe Firefly for Video Announced Bringing Generative AI to Creative Cloud, CineD NAB 2023 Best of Show Awards go to DJI, frame.io, FUJIFILM, LumenArc and ZHIYUN, CineD at NAB 2023 - Visit our Booth, Win Prizes. 250 g approx. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. All times are GMT-8. But then work started picking up and I saw that as the perfect opportunity to upgrade. Its also a big change in size and weight, almost doubling its predecessor. Next up was the 35mm, two stops faster at f/1.4. I returned to the guide and started eBay hunting. - Contax was created by Zeiss subsidiary Zeiss Ikon. LensFinder | NEW way to buy & sell OLD lenses. Or do what I did and find an affordable Standard Prime 16mm T2. They are also a little sloppy on the mount, which can be alarming. Lucky for me my 50 and 85/1.4 were already MMJ. My C/Y Zeiss lenses have been a WAY better investment than money in the bank (or the stock market). That was probably one of the most stressful experiences of my life with lenses. The 15mm is a gorgeous rectilinear super wide angle, it shares the same optical formula as the Leica Super-Elmar 15mm f/3.5, with different coatings. In my experience, Japanese and German lenses are equally good. When designing your focus gears, keep the number of teeth constant for all the lenses. It also has built-in color filters which I freaked out when I realized how to turn them. I prefer the FOV of a 25, but for the budget.the 28mm is amazing. http://www.ebay.com/itm/EX-Modified-item3a8193c812, If this is your first visit, be sure to
Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. The Zeiss ZF is phenomenally sharp and modern, which I found good for general and macro photography but I found unpleasant of for portraiture. You can either build a $1500 set or a $10000 set and youll always impress with the results. For further details, see our Privacy Policy. Im one of the blowhards (haha) that has routinely made this claim that Contax glass shares a lot of the same pedigree as its medium format and cinema cousins.Standards, Supers and Hasselblads, respectively. Im a fan of DIY, so I decided to install the mounts by myself. You can see, Ryan de Franco called my bluff recently, and he let me sit in on his informal test looking into how similar Contax in FACT areto Standards and Super Speeds. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. Great help. Really haven't tested it enough, but the color rendering of the 85mm f2.8 really seems to have some special magic. The 15/3.5 took the cake though. Under enormous pressure from the West, Eastern Zeiss eventually relinquished the naming rights to CONTAX to Western Zeiss. The issue that came up from was the stickers were having a hard time sticking to the material of the lens caps and were peeling off on their own. Be patient, use heat and sandpaper, and youll get there. They also look more modern and clean. I shipped all of them to SIMMOD for declicking and a quick checkup. I thought I knew a bit but I just learned so much! Sometimes you have to go with what you can get your hands on. Contax Zeiss Survival Guide In reply to Giovanni_1968 9 months ago While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. are considered to be the best removable adapters ($90). was migrated to Stuttgart under the watchful eye of American troops. The price-performance ratio of the Minolta lenses is the best in the camera world. After I got the five Contax I went to look for more info and found the Contax Zeiss Survival Guide at REDUser. Thank you! Then I sent that to be printed at StickerYou in vinyl stickers. Have a look at Kipon for something decent or Novoflex for first class a Zeiss deserves it. Collapse. 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. Want regular CineD updates about news, reviews, how-tos and more?Sign up to our newsletter and we will give you just that. The issue that came up from was the stickers were having a hard time sticking to the material of the lens caps and were peeling off on their own. The screws on the back of the lenses are tiny, and if you strip them, you cant get the new mount into place. It was released in 1932. I started with the 28mm. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. Fluorescent paint to make markings easier to spot in the dark, by Moritz Schierenbeck. (I read the Contax Survival Guide, thank you Nick . Each page with eight stickers cost me about $10. See the photo below! If youre not a DIY spirited person or you dont like getting things from a million different places -, I worked with Ron at SIMMOD so he can provide caps with stickers already on them. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. For further details, see our Privacy Policy. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. If you are not great at DIY, make sure to check out our sponsors SimmodLens and FollowFocusGears.com for pretty much all the mods mentioned in the article above. Its the one I always took with me and it gave me gorgeous shots. What IS the Ninja-Star? Distance between first and last lens vertex: 33.6 mm 51.8 mm Weight: approx. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. I'm not too sure where they got their findings, but apparently this was a series of tests possibly published on Zeiss's website. There is a lot of good information about which lenses were improved optically between the earlier AE and later MM versions, as well as lots of user comments. Filter. It was a time when I didnt shoot much, but I went on long bike rides. Contax Zeiss 60mm f/2.8 Macro AEG: Infinity focus on the left, minimum focus on the right I know I stopped mentioning how sharp these lenses are, but the 60mm is worth highlighting. Then I sent that to be printed at StickerYou in vinyl stickers. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. My favorite lens switched to the 85/1.4 after that, though. On my set some were MMJ, others AEG. Would love to check out the Hollywood, but $$. Even the 21 is only a 2.8. These have even less elements (5?). In this buying guide we've rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. Give the AC a good follow focus and a . The optics in these Zeiss are very similar, if not the same as the current Zeiss still lenses, a different coating on the glass is the main difference. I was not impressed, so I decided to make my own. This was a game changer. length (call Peter at RP lens, he can help), but if you can get them on your RED, they are also fantastic budget options. The 85 is ridiculously fast with combo. However, I wont argue that having a lens that says Made In West Germany is wicked cool. Its not. Tito Ferradans spent the last six years researching, writing and making videos about the anamorphic format and how to achieve it without breaking the bank on low-budget productions. If you like vintage flaring, the AEs are great. In my previous buyers guide Ive shown you how to build a Zeiss Jena Mini-Cine set for $1000, but if you have a bit more money to spend then ContaxZeiss is the way togo! Slowly I fell in love with them. B) They share very similar designs as the ZF/ZE/CP2 lenses, but for or the price. It was a time when I didnt shoot much, but I went on long bike rides. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. Contax Zeiss Survival Guide. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. Fuck!). remained behind in the ruins of the city of Jena, trapped behind the Iron Curtain. Also because Soviet glass was super cheap. You have to keep wiggling them slowly, side by side, until they are in place. For me the 35mm F/1.4 has become a go to lens while working as a DP. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. Posts; Latest Activity; Photos . In terms of a look, weve shot with both and there is a clear difference to me. Focal length marked on the rear caps as well. Its a very charming (or annoying, depending on your POV) design to the aperture blades that looks like a crooked ninja throwing star. It is smoother one direction than it is the other too which is peculiuar. Plus, fitting these is never a one-slip move. There are MMG lenses out there I was weary of that for quite a while, since its not mentioned clearly anywhere. Last point on the focus gears: the same way you always want to have a constant outside diameter, you want to place them on the lenses at the same distance from the mount. Contax also made very impressive Zooms. I own them both. For a little over a year, this was enough. This is a sticky topic. If you are referring to breathing, there is some, but less than in many other still lenses. You know, like a cine lens! We look into whether it offers more than your smartphone. You can use the code CINE at check out for a nifty discount! If you wanna follow this path, theres no way to dodge reading the Survival Guide. I also feel that the ninja-star may funkify the bokeh a bitgive it a touch of painterly magicbut that may just be meand this wild opinion is something I may need to test out a bit more! We've been putting it through its paces. Againthis is just a hunch on my part, dont shoot me 5) HOW TO SHOP FOR THEM - DON'T GET "G", "N", or "645". The AE's are no longer serviced by Zeiss, keep that in mind. The process turned out alright and the gears worked great, but later on I learned some useful tricks. I went for the fastest lenses and snuffed out the AEGs I had, in favor of the prettier bokeh of the MMJs. If you want something ready to use from the get-go, Id say this is not for you. This is a guide for people that love handling gear and tweaking little things here and there. Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. It was the most expensive lens in the set and it shares a lot of the beautiful look of the 28/2 Hollywood. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow! Landmine Media, LLC. Things can still look beautiful, but Zeisss philosophy is not to make things pretty, but to be true. Speaking of good prices, many links in this post will take you directly to eBay searches of each specific lens! This is my personal opinion. This makes life easier when grabbing gear to go out and renting it as well. No comparison. I know a bunch of photo magazines back in the 90's and early 2000's did comprehensive tests and reviews of Contax, I wonder if they lifted the numbers from one of those? The 18mm is almost one fourth of the price and half the weight of the 15mm, plus it fits along with the other MMJs in the set. THE CONTAX LENS GUIDE - 2015 EDITION The most up-to-date guide to almost every Contax lens ever made. This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig. I shipped all of them to SIMMOD for declicking and a quick checkup. Filter. Contax is more low-con, and more organic, to my eye. Because the Contax lenses are noticeably more low-con than even Leica Rs their contemporaries, you will notice more latitude in your image. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. You have a wide range of lenses to pick from and equally different price tags. I think its safe to say all these lenses from this era of Zeiss optics have remarkably similar coatings and magic. Its the one I always took with me and it gave me gorgeous shots. It offers the advantage of one of the most sophisticated fully automatic through-the-lens exposure control available during the late seventies. The 60/2.8 AE can do 1:1 magnification, while the MM can only reach 1:2. For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. He's obsessed with the technical aspects of his projects and how each piece of glass in front of the sensor will affect the final look. How can i get those lenses from you? That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. These are way more common in AE, but I was lucky enough to find a MM coming straight from Japan. Every time I had to pick a lens I went for the 35mm f/2.8 instead. Otherwise, you should notice no optical or mechanical difference between the two lines. I'll definitely look into my adapter. Heres the full line of glass. Page of 321. Im gonna stop saying these lenses are sharp, because at this point its just standard! You know, like a cine lens! 80mm is the outside diameter of the rings, and that number is so specific because its a standard size for clip-on matteboxes. All content, design, and layout are Copyright 19982023 Digital Photography Review All Rights Reserved. This one was only made in Japan and it doesnt exist in AE, just MM. Also because Soviet glass was super cheap. The last thing I did was add step rings to normalize all their fronts at 58mm, to make my life easier when swapping NDs and other filters or anamorphic adapters in my case. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. @Yean: I'm 99 % sure it's the adapter then. They dilate quite a bit and fit much more easily. For declicking, I read a lot of posts from people saying its a super easy process on Contax Zeiss lenses, but I didnt have the guts for it. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. send me payment method & how many days it will take? Luckily for me, out of the five lenses I only messed up really bad on one (the 85mm, which was also the first one I tried). If I have a motor on the iris, itll have to be adjusted every time the lens is swapped. While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. 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The tab and the last stop in green that mark MM lenses. You could use it an any focal length and not really have any compromise relative the prime lenses of the time. Like ZF/ZEs, they have fantastic barrel rotations (often 180 degrees or more). Heres a very interesting article that summarizes tech papers published on these designs and their differences, pros and cons. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. Contax I. Th 85 1.4 at an F2 for portraitsis KILLER. The last thing I did was add step rings to normalize all their fronts at 58mm, to make my life easier when swapping NDs and other filters or anamorphic adapters in my case. Would I be crazy to say I kinda prefer my 85mm f2.8 to my 85mm f1.4. It's more like the image jumps! Contax Zeiss Survival Guide - REDUSER.net Evin Grant's comprehensive lens database Login or Sign Up Logging in. I like to add 0.3mm to the measurement to give me a little wiggle room after printing. Ron also offers the full mod service for great prices, including focus gears and lens mounts. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. I remember someone doing a test a when the epic first came with stills lenses and noticed it too. Also almost twice as big and heavy as the previous one. But I now have the 200 and I have to admit, the bokeh is very pleasing and captivating, and I prefer it. Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. to use on my Komodo. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. These are stills lenses, and as Ryan De Franco correctly points outare designed to MAXIMIZE their resolution at F4 or 5.6. I'm sure its just due to copy variation and the years its weathered but pretty disappointing. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. The Soviets were good enough for my own projects, but I needed something more reliable on this one. So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Contax Zeiss should be on your radar for a couple of reasons. The 35 f2, 25f2, 50 f2 lenses are all completely new and completely superb. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. DPReview TV: Nikon 58mm F0.95 Noct Review! Because Contax is actually one of the most storied names in photography. If you do have a printer, I made a tutorial on how to make focus gears! Sharp wide open and has a floating element. Anyone have/had one? Only 4 lenses were "officially" improved during the jump to MM: the 25 2.8, 28 2.8, 135 2.8, and 135 f2. 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Live with it. is a huge fan. I havent tested these much yet, and I ended up not doing standard outside diameters. I own (or have owned) an AE 25 2.8, 28 f2, 28 2.8, 35 1.4, 45 2.8, 50 1.4, 50 1.7, 60 2.8, 85 1.4, 85 2.8, 135 f2, 135 2.8, and 200 3.5and ALL OF THEM have the Ninja-Star. The Contax I is a high-end 35mm rangefinder camera made by Zeiss Ikon to compete with Leica models. I repeated the technique for the rear caps, this time with only the focal length written on them. 15 3.5, 16 2.8 FISHEYE, 18 f4, 21 2.8, 25 2.8, 28 f2, 28 2.8, 35 1.4, 35 2.8, 45 2.8, 50 1.4, 50 1.7, 55 1.2, 60 2.8 Macro, 85 1.2, 85 1.4, 85 2.8, 100 f2, 100 2.8 Macro, 100 3.5, 135 f2, 135 2.8, 180 2.8, 200 f2, 200 3.5, 200 f4, 300 2.8, 300 f4, 500 5.6, 500 f8, 1000 f8, 28-85 3.3-f4, 35-70 3.3, 35-135 3.3-4.5, 80-200 f4, 100-300 4.5-5.6, 40-80 f4, 70-210 3.3. The Hollywood is indeed a star and the image that comes out of it is much more appealing than the 28/2.8. Conveniently for me as I was finishing the set, SIMMOD Lens came into the picture, with very competitive prices, impressive customer service and super high-quality products. Both look awesome, and I think people are splitting hairs. As stated repeatedly, like ZF/ZEs, Contax lenses have great cinema mechanics. As they are still lenses, there is some breathing on some of them, but nothing insane that has ruined any of our shots. Enjoy! They get quite slow in the wides (the 18 is an F4, the 15 a 3.5). The price was pretty good and Im the type of person that can buy something just because the price is good. Caps & gears cool. The 15mm is a gorgeous rectilinear super wide angle, it shares the same optical formula as the Leica Super-Elmar 15mm f/3.5, with different coatings. Its also a big change in size and weight, almost doubling its predecessor. And needed a new line of lenses for 35mm still photography. Luckily for me, out of the five lenses I only messed up really bad on one (the 85mm, which was also the first one I tried). This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig. One thing I want to mention here is that I have found the new 50/1.4 ZE and ZF's to be MUCH softer wide open than my Contax 50/1.4. Or get a Duclos/Tokina 11-16. The fastest "wide" is the 28 f2. Really. Whats the best camera for around $2000? I'm liking my 28:2.8 AE. Im sure that approach had similar benefits with cinema lenses and Hasselblads. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. to use CONTAX RTS glass interchangeably alongside PL glass, such as Contaxs cinema cousins, Super Speeds and Standard Speeds. This one was only made in Japan and it doesnt exist in AE, just MM. ZF/ZEs only go as far as 135mm. Happy Memorial day all. Thats when I learned of Leitax and their mount replacements. I took this question to Instagram again and got really good arguments for both sides. And. But at F2 and 2.8you def notice it if you have a very busy frame with lots of bokeh. I always took the 135 with me and some of my favorite photos come from that time. From the Contax Survival Guide: 100 3.5 - Like the 85 Sonnar, but slower and possibly even sharper. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria. These babies were bleeding me dry. Brilliant job Nick. Those ocasional shots where you need to SNAP from one extreme focal length to another. Here are some things I got from it: Contax Zeiss lenses were designed for 35mm full frame, which means theyll cover all the way up to Vistavision sensors on modern cameras and anything smaller. freelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. One thing that the push-pull nature of the zooms helps with, is snap-zooms. Its by no means unusable, but dont expect a Contax at F2 to perform like an Ultraprime. Though alot of the photography forum guys refer to those tests for 'official' MTF results they're a lot easier to read than Zeiss's graphs and they're all in one place. Sonnar originally meant "Sunny", because historically these used to be the bright, fast designs when they first came out. 80mm diameter Cine rings by SIMMOD Lens and 77mm filter threads. When the ZF/ZEs first came out in 2006, they appear to have been direct re-badges of the Contax line (with small modifications to the designs). E) They are very easy to cinemod. In this buying guide weve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. Ron also offers the full mod service for great prices, including focus gears and lens mounts. check out the. Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. . Thats when I learned of Leitax and their mount replacements. Not saying the 135/2 isnt worth it the investment, its just much heavier and harder to carry as a walk-around lens.
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