Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. So, just like the amp, the reverb is before the tremolo. If you want to see the reason this is cool, turn the drive knob up. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? Original models of the Klon have now become some of the most sought after guitar pedals ever made. The key to a perfect drive stack is to pay attention to your EQ. NoI'm referring to the fact that in a side by side comparison, with the same guitar, plugged into the same amp, with the EQ set flat, the overall gain structures of each pedal from clean to max have a nearly identical tonal signature and response/feel. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. My favorite stack with a Klon circuit is the Blues Breaker circuit. I use it as a catch-all for a lot of different effects, but it has settings and algorithms in it that let you kind of stack multiple delays, so its really useful. Youll definitely have fun, and you might even find your new favorite sound. Call 66 one 874- 92seven 71998 Fender Stratocaster master built one of a kind Senior master builder Act, Esparza build this special guitar. The new timmys sound closer to the TIM now. But you have people-- even me --telling you to put your tremolo after your overdrive and before your delays and reverbs. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. You let one run quarter notes, and the one after it runs dotted eighth notes. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. 6. With original hard case and all case candy. Currency: Here, the relevant question tends to be "Rat before or after Rat? I haven't had much luck with Klones and stacking with other dirt pedals. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. Since your gear creates a system, its important that every piece serves the whole. I use a TC Electronic Spark clean boost as the first pedal into my ODs. Browne Amplification Carbon $219+ | Click title for video. I stack OD's all the time. Exclusive deals, delivered straight to your inbox. 2. Im returning my ocd and picking up a Tumnus deluxe to replace it. A Beginners Guide to Stacking Drive Pedals. Oops, looks like you forgot something. Please check the fields highlighted in red. Lol. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. markT. You must log in or register to reply here. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. They boost other effects and add a nice thing to the pick attack and note bloom when they are first. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. Some pedals sound better turned up or driving your amp harder. Have you ever used more than one distortion pedal at a time? If Im taking my pedals on the road, then Ill probably leave my Klon Centaur at home so it doesnt get stolen. Now, here's the trick. Now, this is obvious because companies like myself have made pedals that combine these into one, like my Double Barrel that has the Morning Glory and a Tube Screamer. I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. For a better experience, please enable JavaScript in your browser before proceeding. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. The only one who's feeding anyone bull{censored} here is you. A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. thanks for playing! I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. You can also use drive pedal stacks to change the overall character of your existing rig. **Dont knock it till you try it. Jul 13, 2017. Ah that was just what I was wondering cause I read a lot of threads mentioning that the Klon makes everything after it sound much better. Set the octave up with about 50% dry signal, if you have that option. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. The Klon will be always on so technically Katana is my only clean boost that'll be there to push the OD more. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. But if you do it in a faint way, it's really, really special. Before I wrap up, I want to show you a few more options for pedals that have some of these multiple effects already in them, kind of a two-in-one thing. And I think a lot of you guys would like it. Au contraire, Mon ami, for the world of delay stacking is a many-splendored sonic playground which should not be left unexplored. Here's a look at the pedals behind the sound. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. Okay, lets get down to business. Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. In that case, I switch over to the KTR Overdrive instead. If your tone is fine, but a bit dark, consider trying a boost. Turn your old gear into new gear with the Sweetwater Gear Exchange! Quick question about switching tube amps on/off. Finding the optimum gain staging between pedals is important. To Fit. 144,000 . Also, get a Klon and try it as a heavy overdrive. World Famous Touring Guitarist and Jimi Hendrix Expert RANDY HANSEN will be giving lessons at Canyon Guitars in Lakewood. Based on the Klon Centaur, somewhere between Transparent and TS-style. It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. Your purchases help youth music programs get the gear they need to make music. For a better experience, please enable JavaScript in your browser before proceeding. Actually there are TWO of us saying that they are similar in sound. The original Klon employed traditional through-hole parts. Thank you for your request. If you want to see the reason this is cool, turn the drive knob up. Hey! Stack amazingly well but dont neatly fit any of the previous categories. Here are a handful of perfect pedal pairs for creative tone stacking. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. ZVex actually has to have this in one case for this reason. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. Kino treebud 24F HSH Ash Trans Black. Myself? Thanks! This has gobs of delay options. Below are a few hints to help you expertly wade into the exciting and very-wide world of dirt stacking. Both pedals have an external tab jack. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. Now this is big. With even EQ spectrum, based on Bluesbreaker, etc. I bet you thought I was just going to talk about dirt pedals the whole time, didn't you? Some pedals are great at specific jobs. This is a really good go-to combo. Set the Gain control at 9:00 or 10:00, lower if the pedal still responds properly. I stack OD's all the time. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. Turn the pedal on and play the same chord. The Keeley Electronics Red Dirt Overdrive guitar pedal delivers classic drive, plus amazing sonic versatility that makes it at home in any musical setting. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. Learn More. Timmy is used by itself for a crunchier sound than Klon. Some fuzzes, for example, get too dampened and muddled by the inclusion of other dirty tones. Each new drive will shape the EQ and most drives also increase compression. It has some great stacking possibilities. Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. It may not display this or other websites correctly. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. It is a very nice boost which you can then dial in the amount of grit you want. Klon vs. timmy. . I'll probably do Katana, TS, Timmy, Klon. Some of the add-ons on this site are powered by. Running dirt pedals into a dirty amp is very different than running the same pedals into a clean amp. The tone stack on the Timmy is excellent. Are the highs the same? Know What You Have, Decide What You Need Next. Now, this one is really cool, and in some cases, it's a non-negotiable. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. I think this is going to help you be heard. One option is to set them up to be multiple gain stages. A guitar player buddy of mine stacks his Klone, a Bluesbreaker clone and a Rat to good effect. Is there any better bang for the buck in a new guitar than this. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Hey! Sep 2, 2016. Price to sell look it up Reverb this one is really in mint condition kill switch and all. Octave + Fuzz = Massive Wall of Riff Rock. When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. What I want to go over is the sound of a Big Muff, and the process of putting that into a Tube Screamer. Is there any better bang for the buck in a new guitar than this. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. Works great. So, the Big Muff doesn't have any mid frequency peak at all. However you slice it, its important to consider what you already have to make smart stacking decisions. Now is the perfect time to get the gear you want with simple, promotional financing. It has a lot of good reverbs: big and ambient or spring. 66one. How do you like it? The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. As Duke Ellington said, If it sounds good, it IS good. There is no right or wrong, only what you prefer. You must log in or register to reply here. Based on your location, we've changed your settings: Shipping Region: Delay + Modulated Reverb = Washy Ambience, So, its not a secret that I'm a big fan of ambient clean guitar tone. A setting that works well on its own might not be the best setting when stacked. I personally like klons early on before other pedals. Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. Definitely try that in your rig. When dialed in correctly, this can be four distinct sounds: clean, dirty, heavy, or saturated. The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. Stacking dimed drives often results in tubby, indistinct tone. You are using an out of date browser. Here are a handful of perfect pedal pairs for creative tone stacking. You are using an out of date browser. You may already own something that does this, so don't feel the need to run out and buy something new. Amwatts 1x12 Celestion Gold. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. Read reviews and forum scuttlebutt. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. 874-927seven USA Eddie Van Halen wolfgang Guitar In excellent condition. Suzuki f8b specs. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. (Image credit: Future) the are different circuits geared towards COMPLETELY different sounds-. The last pedal in the stack has the biggest influence on the overall tone. I was shooting for two pedals on a piece of 3/4 ply. The Tim is a honking big piece of pedal metal. Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. That doesnt mean its not a good pedal, but its a good thing to know before you buy it. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. It started through guitar amplifiers. Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. It's awesome for clean tones. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. Route 66. Whatever youre looking to experiment with, you can find that delay effect on here. You must log in or register to reply here. Trust me. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after.